Student newspaper posted; read CatlinSpeak
Creative writing teacher Carl Adamshick reading at Wordstock on Sunday
Wordstock is a literary art and education organization that celebrates and supports writing in the classroom and in the community. Their annual festival of books, writers, and storytelling runs October 6 – 9 at the Oregon Convention Center.
Carl will share the Attic Institute Stage with poet Maxine Scates on Sunday, October 9, from 2 to 3 p.m.
Homecoming 2011 photo gallery
Interview with new Middle School head
How is Portland treating you?
Really well. We’re definitely still tourists. The other day I was able to navigate from my house to Sauvie Island and back successfully. I’m beginning to understand how the 405 freeway loops around. Every week we try to do something new, which is easy here.
I hear you are a dancer. Tell us more.
I love to dance for that feeling you get when movement takes over. My husband and I met at a salsa club, and we used to go salsa and merengue dancing a lot. We choreographed and practiced a dance for our wedding reception. Dancing is a big part of who we are. Lydia loves to dance. [Lydia is Barbara and Carlos’ toddler.] One of my favorite moments during Discovery Days was square dancing with 6th graders. It was great to see them take the risk, especially given the whole boy-girl dynamic at that age.
Can you reflect on a couple more highlights of your time here at Catlin Gabel?
Two Fridays ago at assembly a group of teachers—Tom Tucker, Deirdre Atkinson, Mark Pritchard, Spencer White, and Brendan Gill—played musical instruments and led 185 kids and 30 adults in a community sing. The high level of participation and incredible vibe was impressive. I’m going to make sure we have many opportunities for group singing.
Another standout moment was at Back-to-School Night. I tried to get around to see bits and pieces of all the teachers’ presentations. I sat in the 6th grade classroom filled with parents listening to the teachers talk about their work with students, and the real trust that we ask of parents. That was inspiring. And hearing about the teachers’ expertise and experience, not just the teaching and pedagogical experience and all that good stuff, but the life experience, too, kind of brought me to tears. I’ve really joined an outstanding faculty.
The spirit of team work and shared responsibility for everything we do—which is something I philosophically believe in—is a highlight that repeats itself over and over multiple times on any given day. Everyone pitches in, and there’s no sense that it’s any one person’s show. We're doing this together for the benefit of the kids.
What is your educational philosophy?
At the core I think the purpose of school goes much further than teaching reading, writing, math, and science. The fact that our students spend the great majority of their waking hours here on this campus with us implies a responsibility not just as educators but also as mentors in guiding young people to become socially responsible adults. The job of every teacher in our community is to engage with students and help them understand that they can pretty much do anything they want, but that they need to understand that there is right and wrong and they have a responsibility to each other. Maybe 96.12 percent of the time it’s not what you do but how you do it.
Our goal is to engage students in fully participating in everything we do. You’ll never have 100 percent participation, but schools should create an atmosphere where students can take risks, even pretty high-altitude risks, and feel safe trying.
This morning we saw a great example of high-altitude risk taking. A 6th grade girl had the lead part in a skit at assembly. I thought, wow, here’s a girl who’s been in this building fewer than 3 weeks and she’s putting herself out like that, not just in front of 6th graders, but 7th and 8th graders, too.
In terms of curriculum the idea of progression and partnerships is vital. Sixth, 7th, and 8th graders are all in such different places. Great schools and great educators meet kids where they are. It’s about the progress, not necessarily about the final outcome, because each one of our 7th graders is starting at a different place and ending at a different place. It’s about knowing our students well enough to recognize where they started and to give them support and kudos as they grow and progress.
We also need to teach kids that we’re not perfect, and everyone isn’t great at everything all of the time. It can be hard to give kids that kind of honest feedback, but that’s life. The bottom line is that we’re preparing these kids for life, not just for the next grade level. Sometimes people choose independent schools for the bubble it creates, and that makes it even more onerous on us to prepare them for life. Competition exists, and you’re not always going to be the best at what you’re doing. The way students can grow and really become better is through the critical feedback we offer them. It doesn’t serve anybody to always hear that they’re doing a great job. We can create an atmosphere where hearing supportive and empathetic criticism is the norm because our students understand everyone wants you to improve. Catlin’s narrative reports are a good piece of that, and I’m just discovering what those look like.
What are the academic tools Middle School students need for success in high school?
The ability to put thoughts together and connect ideas, which leads to critical thinking and comparisons. The ability to analyze, speak, and write clearly about ideas. The ability to put things together, figure things out creatively, and use core scientific inquiry skills, which of course includes math. The ability to be thoughtful in everything you do.
How do we reach students who have a wide range of skill levels at a stage in their lives when their maturity levels are so varied?
You need to meet students where they are. We can’t have the same expectation for every single 7th grader, because some kids will end up feeling like failures. No two people are the same, and if we don't recognize the individual child as the unit of consideration then we’re doing them a disservice. If they’re writing an expository essay about a hero in their life, for instance, and we know where that child started and ended, we can provide effective relevant feedback about their work. If they don’t feel like we are taking the time to really see what they’ve produced and offer them immediate feedback, then they wonder why are they really doing this.
Commenting about where a student started and ended is meaningful to them. At this age you really need to be concrete. You can’t just say, “Great job.” You have to say things like, “I’m impressed by how you used alliteration,” or “I noticed you connected this unit of math to what we did three months ago.” It’s very important to be specific both in accolades and in comments for improvement.
With all the distractions of adolescence, how do you keep Middle School students focused on school work?
You have to get them engaged. If they’re not bought into what is going on then it’s not meaningful. So the real question, and the challenge for each of us, is how to make something meaningful for a kid—especially in Middle School! You can make a student sit down and do 26 million math problems and lose their attention, or you can ask them to work out five math word problems that bring in things they actually care about. Then they’ll be interested and think through the problem. In language classes, you could have them fill out worksheets where they enter the right verb, or you can make their learning relevant by asking them to write about what they’re going to do this weekend. Connecting academics to their interests is something we really need to keep in mind, because Middle School students perceive themselves as the center of their universes. We need to be very clear about what we’re asking them to do, or the academic engagement isn’t meaningful to them. Does that mean that every single assignment in every single class is going to do that for every kid? No, that’s not realistic. But that should be our goal and our constant aspiration as educators.
What do you think of the myth that our math and science programs are not as strong as our writing and humanities?
Our math and science program is really strong. We need to do a better job of talking about what it is and being very clear about what we do in classes. I’ve noticed it’s a little ingrained in the culture of our teachers to be very humble about the work they do with kids. What’s happening in classrooms is amazing—and that includes math and science. There’s always room for improvement, but one of my goals this year is to tease out and share the excellent work we’re doing in math and science.
Do you have thoughts about our 8th graders considering other schools for their high school experience?
It would be my hope that all of our 8th graders move on to our 9th grade. While the school is broken up into four divisions—and appropriately so for children’s developmental stages and from a teaching and management point of view—I really hope that people see Catlin Gabel as a preschool through 12th grade program. I see it that way! It’s pretty amazing to have a place where you can be one school that is connected and interconnected in so many ways while appreciating the differences of age and what that brings.
As an aside, I am really impressed that the Beginning School is its own division. Science tells us there is a significant developmental difference between kindergarteners and 1st graders. That was one of the things I found very attractive about the school and its thinking about what’s best for kids.
Getting back to the 8th to 9th grade transition, it’s important to recognize that Catlin Gabel, just like every other school, may not be the right place for every student. The desire to look around at alternatives is something that’s probably natural to some. But I really caution against making decisions around assumptions. I’ve already had conversations with a number of 8th grade students and their parents where they have inaccurate assumptions about the Upper School.
Families that are considering other options need to keep in mind a few things. Don’t make decisions about what you think our Upper School program is. Look at our Upper School program and make informed decisions. Talk to US teachers, talk to me. Research Catlin Gabel as well as you research the alternatives you’re considering. Also, the decision to leave should not be solely made by the student or by the parent. Decision-making at this age really needs to involve parents and students in a way that all voices are heard. Parents must try to understand why students want to leave and consider if the reasons are good ones, and visa versa.
What is your hope for our graduates?
My dream for all seniors going to college, not just Catlin Gabel students, is that they are fully prepared, they know how to carry themselves, they understand how they learn, and they understand the space they take up not only in their school, city, and state but also in the world. We teach those things extraordinarily well and differently than other places. What is it to be a global citizen? Answering that question well is a really important 21st-century skill.
Second graders share insights about how the brain works
John Mayer’s students had a conversation about how they think the brain works as they launched into a lesson about neurons, dendrites, and axons.
"I know there are different sides of the brain. Maybe it's that all the stuff you do know is one side of the brain and all the stuff you don't know is on the other side. So then the more you grow and learn, it's like a wave goes over your brain from one side to the other."
"That’s right. There are sides of a brain but I think it's different. It's like you do reading from here, riding your bike from there, and like math from over here (pointing to different spots all over her head). So it's like a highway between cities to connect them. Sometimes there might be something on the road…"
"Or the road got washed out."
"Yeah, or the road got washed out and that's the stuff you don't know. Then maybe you learn stuff and the road gets fixed."
John: "Hmmm… I guess we have a lot of thinking to do. Should we start by trying to figure out more about how our brains are put together?"
First grade conversation about race overheard
Children in Mimi's class have been telling stories about themselves as they get to know one another early in the school year. In a recent conversation the 6- and 7-year-olds began talking about race and color. Mimi recorded some of what she overheard.
“My grandma prays in Korean so I don't understand what she's saying.”
“I'm Jewish.”
“I'm English.”
“I'm Farsi. My parents were born there.”
“I'm English, too! Hey, I'm from Oregon and I think my mom and my dad are from Oregon, too, so how did I get English?"
“WAIT a minute! I'm ASIAN!”
Several other voices: So am I!”
“Hmmm, my mom was born in Chicago and I'm Korean?”
“I'm the same color as you (Mimi) are.”
“So am I. I'm Chinese, too."
Meanwhile, kids are bopping around on the rug holding their arms to one another's comparing skin colors and making lively comments about similarities and differences. At one point, I nudged the conversation a bit by asking, "Is skin color important?" which was immediately answered by a chorus of "Yes!" and "No!" Lively discussion followed.
“No, it's not. It's not! Eye color is wayyyyyyyyy more important than skin color. If you have blue eyes then you are blonde and if you are blonde then you can't see!”
Five seniors named National Merit Semifinalists
Five seniors have been named semifinalists in the 57th annual National Merit Scholarship Program. The students are Ilana Cohen, Zoë Frank, Holly Kim, Dylan Shields, and Jeremy Wood. They are among 16,000 semifinalists nationwide who are eligible to compete for 8,300 National Merit Scholarships worth more than $34 million that will be offered in the spring, according to a release from the National Merit Scholarship Corp.
To qualify as semifinalists, about 1.5 million high school students took a qualifying exam during their junior year.
From those, the highest-scoring entrants from each state, who represent less than 1 percent of all U.S. high school seniors, were chosen. The number chosen per state is proportional to the state's percentage of the national total of graduating seniors, according to the release.
To be considered for a scholarship, semifinalists have several additional steps to complete. Each must be endorsed and recommended by his or her high school principal. Each student and a high school official must submit a detailed scholarship application including the student's essay and information about his or her participation and leadership in school and community activities, the release states.
About 15,000 semifinalists will be notified in February that they have been granted status as finalists. Scholarship winners will be selected from this group.
Roger Gantz '89 leads boys varsity soccer team to victory in his first game as head coach – watch the highlights
Former development director and past trustee Joan Shipley has died
Joan Shipley was 73 when she died of cancer on September 2. Joan was a Catlin Gabel trustee from 1972 to 1978 and later served as development director from 1980 to 1983. Her children David '81, Ann '83, and Tom '87 are alumni. Tom '87, a current board member, is married to Megan Sullivan Shipley '87.
Freshman Valerie Ding one of 30 to compete at national science fair
8th grader Julien Leitner featured in Oregonian op-ed piece
Former teacher Eva Mae Chamberlain has died at age 95
Service on Tuesday, August 23
10:30 a.m.
Rose City Cemetery and Funeral Home
5626 NE Fremont St
Portland OR 97213
Viewing
Sunday, August 21, 1 – 4 p.m.
Monday, August 22, 10 a.m. – 5 p.m.
Tuesday, August 23, 10 – 10:30 a.m.
Notes can be sent to Eva’s family care of
Rosa Lee Edward
1436 NE Ainsworth St
Portland OR 97211
chydex@msn.com
Sophomore Jonathan Cannard competed at the Youth Laser 4.7 World Championships in San Francisco
Where in the world is the class of 2011 going?
Arts Are at the Core
By Nance Leonhardt
From the Summer 2011 Caller
e core of Catlin Gabel’s philosophical and pedagogical underpinnings since day one.
conjure the memory of wrangling a shapeless mass of mud and water into a sleek vessel under Judy Teufel’s watchful eye. They will remember how the idea was so clear in their mind and slipped away so easily once the wheel began turning. The feel of the clay veering determinedly off course and then, with persistence and a steady hand, the sense of it righting itself as the circuit came to a close. They will not only remember the success, they will remember the journey and the dividends its lessons paid.Create , Perform, Respond
eyes. We guide students’ explorations of the tools and skills needed to perform, and we offer prompts from various sources (art history, current events, poetry, student-generated themes) to draw out their unique points of view as thinkers. More specifically, we agreed that regardless of medium (instrumental music, film production, oil painting, woodworking, lighting design) we shelter our students’ development under the following core values:
In the Upper School, students in Laurie Carlyon-Ward’s honors art seminar engage in a three-semester quest to produce a portfolio of work that reflects the development of their voice as an artist. Visitors to the gallery in the Cabell Center foyer in May see the culmination of this process with displays that include self-portraits, figure drawing, journals, and a personal statement. Whether it’s Mary Bishop 11’s use of line and color to depict her musings on women’s Western attire, or the fleshy graphite textures of Kashi Tamang ’11’s portrait subjects, their voices are etched in the gallery space as distinctly as fingerprints on glass.The Space to Collaborate and Connect
Nance Leonhardt teaches Upper School media arts.
A Campaign for Arts & Minds
From the Summer 2011 Caller
In this issue you will meet some of our most creative and talented alumni, all of whom found their time at Catlin Gabel important to their creative development. Creative freedom takes place in the science lab as much as it does in the painting and drawing studio. The way the robotics team comes together to map out their technical strategy for competition is akin to drama students coming together to write, cast, stage, and perform their annual one-act plays. And the thought process a student uses to troubleshoot a buggy line of code in computer science class involves the same set of synapses as when that same student tries to figure out why her timing is off in her original film score..jpg)
ecessary funds to elevate this commitment to our students and their education. Catlin Gabel’s Campaign for Arts and Minds has two components: building our endowment, with special emphasis on financial aid, and building a new Creative Arts Center for the Middle and Upper Schools.THE ENDOWMENT
THE CREATIVE ARTS CENTER

CREATIVE ARTS CENTER HISTORY
MORE ROOM FOR CREATIVE ARTS
GROUNDBREAKING
projected costs in pledges in order to break ground. As of June 30 we are just shy of having raised half of this amount, with approximately $2.3 million to go. We will look toward leadership donors this summer and fall to get us there. Please contact development director Eileen Andersen, 503-297-1894 ext. 306 or andersene@catlin.edu, to to learn more about our fundraising efforts. Catlin Gabel funds major capital projects entirely through contributions.LAUNCH OF THE NEW PROJECT
James E. John Construction
Allied Works
A New Creative Arts Center– Now is the Time
By Lark P. Palma, head of school
From the Summer 2011 Caller
students to stretch themselves, take enormous leaps, and learn to express themselves through mediums that are often unfamiliar, and scary at times. A blank canvas, a role in a play, an assignment to make a music video, an instrument they’ve never played before—all demand courage and a connection between brain, hand, and heart.
Thanks to all: Annual Fund reaches goal
We did it! The Annual Fund reached its $935,000 goal!
Thank you to everyone who participated and gave so generously this year.
For additional information about annual giving, please contact:
Sara Case
Annual giving program director
8825 SW Barnes Road
Portland OR 97225
503-297-1894 ext. 423
casesa@catlin.edu
Catlin Gabel students help Michelle Obama fight AIDS in Botswana
Catlin Gabel students helped paint a mural to welcome First Lady Michelle Obama to Botswana. The First Lady visited the Botswana-Baylor Centre for Children’s Excellence to highlight the organization’s efforts to develop a new treatment and counseling facility for HIV+ teens..jpg)
Thirteen students assisted local artist Lesedi to sketch and paint traditional Botswana figures, designs and backgrounds on a 30m concrete wall. The group also developed educational play activities for HIV+ youth awaiting treatment and counseling appointments.
In addition to the Baylor Centre, Catlin Gabel students provided support to the Maru-a-Pula Orphans and Vulnerable Children Fund, SOS Children’s Village, a health clinic in Thabala, and high school students in Gumare. Students met with Dr. Ava Avalos of the Ministry of Health and Thobo Mogojwe of PING (Positive Innovation for the Next Generation).
The Botswana-Baylor Centre is one of many partnerships between the Ministry of Health and international organizations, part of a coordinated, national effort to combat AIDS. Approximately 30% of all adults in Botswana are infected with HIV.
Each year, Catlin Gabel welcomes one Maru-a-Pula exchange student to Oregon. Catlin Gabel students are currently traveling through Botswana as part of the school’s global education program.
Further information:
http://www.bbc.co.uk/news/world-africa-13910916
http://www.reuters.com/article/2011/06/24/us-obama-botswana-idUSTRE75N6DA20110624
http://www.bipai.org/
http://botswanateenclub.wordpress.com/
http://maruapula.org/support-map/orphans-vulnerable-children-bursary-fund

