Movies are like Essays. Kind of. *fixed link

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On Cinco de Mayo James filmed Sockeye's office party, he shot 6 minutes of footage in around 9 different clips. Yesterday he and Laura asked me to edit the video to put on Sockeye's blog. I sat in the East edit room at a desk behind James; he told me the basic layout and keyboard shortcuts of Final Cut Pro, and  set me off on my own to make the initial edit. It was super helpful both watching James edit, and being able to ask him questions as I worked. After about an hour I had put together a 2 minute edit of the piece that I was pretty happy with. When I showed it to james, he said "Good, now cut off about 1:30 and it'l be great". I thought he was crazy, it was hard enough getting it down to 2 minutes, let alone 30 seconds. After another couple hours of making small changes and being very selective of what shots to keep, I got the piece down to 50 seconds. Its amazing how much of a difference you can make in a piece by simply cutting off all the fat from the beginning and end of clips, even if it is only a fraction of a second. In choosing how to cut footage you can completely change the tone and pace of a movie. This project started out as a few long clips, but with a lot of editing, became dynamic and fast paced.   Working on an edit is a lot like writing a paper; it is much easier to do if you split into different drafts. Until yesterday I had only edited in a single step, but I learned that if you force yourself to create new drafts and keep revising you will come out with a exponentially better final product. Imagine that. In one day I figured out my way around the basics of Final cut; there's a lot tot say for the dive-in-head-first method.

Heres the link to the video: Cinco de Mayo 

 

 

Comments

way too much fun!

I can only imagine the tiny increments of change, honing, and attention to detail that it takes to get from one draft to the next . Nice. Fun work. Good work.

way too much fun!

I can only imagine the tiny increments of change, honing, and attention to detail that it takes to get from one draft to the next . Nice. Fun work. Good work.

ONE DRAFT?!!! OMG

One draft is, never has been, and will never be adequate. I'm just sayin' for all the readers out there who aspire to be the next Luke Rodgers... when you take the time to refine, your work will be divine (that was for Mr. D.)

Seriously though, it is great you're learning this and you can really devote yourself to the work at hand. Perhaps if I could ever get the English Dept. on board with allowing me to teach Genres as an English elective, then people would step up and actually do their drafts and revisions, eh?

I have a dream in which a student will say to their other teachers, "I'm so sorry _____, I have a major edit due on my film tomorrow, can I get an extension on _____ from you?"

omg, that came out wrong.

omg, that came out wrong. What I meant was... in final cut you can create different sequences (edits) and I had never been able to create separate edits, but only to keep on revising the one I had been working on. It made a world of difference to be able to just create a new sequence and plop my last edit in there, and when I finished that one, make another sequence ect. I didnt say that in the blog because I thought it would be to hard to understand, but, you have made me explain myself.

yee mayn

Same thing I'm doing over here but with 3D files. Saving incrementals! But for me it's more for when I screw something up horribly and have to go to the previous one to recover something... But yeah, they save new files like everytime here, it's ridiculous. I have like 21 files just for the rig right now, and that's after all the modeling and texturing!
SHABANG

Yeah, its so helpful being

Yeah, its so helpful being able to go back and like grab a full clip or something that you cut out from a previous one. All about the sequences.

It has come to my attention

My attempt at being tongue-in-cheek in my last comment may have come across a bit snarky - particularly to those who do not know me well. I want to clarify that I am glad you are able to devote yourself wholly to your film work and can spend the hours and hours I know you are spending on these projects at Sockeye with your undivided attention. Your work for me (regardless of not previously knowing you could hold multiple sequences in FCP) has always been top-notch.

BTW, I'm loving that you and Adam are exchanging here - may this portend continued collaboration beyond the end of CGS! Make sure to check out what Donald, Ian, Catie and Rahee are all doing - you're all working along similar lines.
N